How does one do Jeepney Hermeneutics?

It begins with one’s view of scripture. As Vanderbilt University's Daniel Patte points out in conversation, “Traditional roles of scripture are problematic, when they involve submission to the text, or more exactly, defining the authority of the text in terms of moral prescriptions or vision (ideology, religious views, etc.) that it posits or carries.” Many interpreters of Scripture begin with the theological affirmation, explicit or not, that the Bible is “God’s Word” and that it offers access to the Complete and Final Revelation of the One True God, Jesus Christ. Jeepney hermeneutics presupposes that the Bible is a “jeep,” a sword, an imperializing text – a dangerous text, as demonstrated throughout history by the many horrendous crimes committed in its name (see for instance, Susanne Scholtz, ed. Biblical Studies Alternatively: An Introductory Reader [2002]).

Imperializing texts, according to Musa Dube, take many forms and are written by a variety of people, even by the colonized, either collaborating with the dominant forces or yearning for the same power. She adds, “Regardless of who writes imperializing texts, they are characterized by literary constructions, representations, and uses that authorize taking possession of foreign spaces and peoples… Reproduction of imperial strategies of subjugation is also evident among many interpreters.” I draw heavily from Dube’s work with the following questions in explaining why many biblical texts are imperializing and why many of their interpretations are the same. (1) Does the text have an explicit stance for or against the political imperialism of its time? (2) Does it encourage travel to distant and inhabited lands and how does it justify itself? (3) How does the text construct difference: is there dialogue and liberating interdependence, or is there condemnation and replacement of all that is foreign? Is there celebration of difference authentic or mere tokenism? (4) Does the text employ representations (gender, ethnicity, sexuality, divine, etc.) to construct relationships of subordination and domination?

The Jeep...

The U.S. Army, back in 1940, required an all-terrain reconnaissance, go-anywhere, vehicle that seated three and had a mount for a 30-caliber machine gun. Filipinos have turned this military vehicle into a sort of mini-bus that can accommodate about twenty people. There are those who look at a jeepney and call it Frankenstein’s monster. There are others who see it as a “Filipino home on wheels,” complete with an altar.

The military jeep was, and still is, a sort of imperializing text. A jeepney resists this text. The inventors of the jeep never imagined that this weapon of mass destruction can be transformed into a public transport vehicle. The jeepney is an “unexpected reading” of a jeep.

Jeeps, Jeepneys, and Jeepney Hermeneutics

Mark Lewis Taylor, during the 2000 Society of Biblical Literature meeting, celebrated the publication of the Dictionary of Third World Theologies (Virnia Fabella and R.S. Sugirtharajah, eds.) and called it "A Dictionary for Resisting Empire." For him, the volume summarizes critical reflection arising from people's movements in resistance to "empire," i.e. to the hegemony of Western powers whose metropole centers seek an ever-strengthened global power to subordinate and control each and every facet of the lives of masses of peoples. For him, the book preserves and marshals the archival power of Third World peoples' own discourse of resistance and liberation. To this developing archive I have proposed one model of Filipino decolonizing reading, jeepney hermeneutics. If the Filipino jeepney is a “resistant reading” of the U.S. military jeep, then jeepney hermeneutics is a "resistant reading" of the Bible. Biblical Studies is one area that remains a stronghold of colonial scholarship, especially among Protestant Churches. Many Filipino social scientists call this collective condition of the Filipino psyche as colonial mentality. Historian Renato Constantino traces it to the systematic mis-education of the Filipinos. Theologian Eliezer Fernandez argues that the Philippines can be called a "mental colony" of the United States of America. The late Fr. Carlos Abesamis, SJ, had argued that nothing is the matter with foreigners doing foreign theology (for themselves). The issue is that Filipino theology is a photocopy of Euro-American theology. Jeepney hermeneutics challenges this colonial mentality in biblical studies by drawing on the Filipinos’ legacy of resistance. From mortar shells to church bells, from implements of death to instruments of music, from jeeps to jeepneys, Filipinos have turned weapons of mass destruction to symbols of mass celebration. The colonization of biblical studies, especially in the field of hermeneutics, among Protestant communities in the Philippines requires no special pleading. Thus there is the need for a decolonized hermeneutics—a jeepney hermeneutics. Jeepney hermeneutics acknowledges the depth and the breadth of meanings represented by the Filipino Jeepney as symbolic of a people’s ability to beat swords into ploughshares.

Remembering FPJ

Most Filipinos love stories, telling them, listening to them, or watching them. Filipinos who do not enjoy movie watching are quite rare. I remember the moviehouses in the barrios where we used to go during summer vacations. Most of these had double programs. Your ticket bought you two movies to watch. A few had triple programs. We saved up for those triples, especially if they starred the late Fernando Poe Jr. who should have turned 74 today. We came in before lunch and came out six or so hours later. My kuya (older brother) and I are FPJ fans. In grade school I saw my kuya, on two occasions, apply the FPJ rapid-punching technique on two bullies bigger and taller than him. The technique worked. I was 7 when I first went to see a movie by myself. It was FPJ’s Asedillo. It was the first movie I saw that painted a totally different picture of America, and Manuel Quezon, and the period of American occupation many among our elders, even today, longingly call “peacetime.” It was the movie that introduced me to the Sakdal uprising of the 1930s. I was in high school when I saw Aguila. I consider it one of the best movies Philippine cinema has ever produced. Aside from FPJ, it had Christopher de Leon, Jay Ilagan, Sandy Andolong, Eddie Garcia, Johnny Delgado, Charo Santos, Amalia Fuentes, and a host of top caliber artists. Basil Valdez sung the theme song. The 3 ½ hour movie presents a stark portrait of Philippine society and offers at least four ways of dealing with its reality: join the underground, go to America, learn to deal with it, or live with the indigenous communities. If you haven’t watched Aguila and Asedillo. Go and do so. Then you will know why those who call FPJ the Arnold Swarzenegger of the Philippines don't know what they're talking about. And as you watch Asedillo and Aguila (both are available online), remember that FPJ was busy helping prepare relief goods for distribution on the night he suffered a massive stroke. Better still, we can remember FPJ's birthday by celebrating our birthdays, anniversaries, and special occasions by reaching out to those whose only hope is God, by contributing the best we can offer to those who need God the most, by being each other's keepers the best way we can. Especially today.