Sunday's Gospel Reading is part of John's Farewell Discourse—his parting words before the cross. They are not unlike José Rizal’s Mi Último Adiós, written on the eve of his execution. Jesus speaks before Golgotha. Rizal writes before the firing squad. Both face death not with bitterness, but with love. Both die because of love.
In John 17, Jesus leaves behind not a sermon, but a prayer. He looks up and says, “Father, the hour has come.” He knows the cross is near. He knows his followers will soon feel lost and vulnerable. He knows he will no longer walk with them in the same way. So he entrusts them to God. “Holy Father, keep them… that they may be one.”
Let us hear this prayer from inside a jeepney. A jeepney is a small world on wheels—crowded, sweaty, noisy, diverse. Students, laborers, vendors, elders, children sit side by side. Most are strangers, yet all are traveling together. Fares are passed hand to hand. Bodies adjust. Someone always makes space. Somehow, in a jeepney, there is always room for one more. This is the world Jesus prays for. Not Trump's. Nor the Philippine Senate's. Especially not Duterte's!
He does not ask that his followers be taken out of the world. He asks that they be kept in it—protected, held together, and not torn apart. Unity, in this sense, is not sameness. It is shared life. It is choosing to stay together, even when the road is rough and the ride is uncomfortable.
The God Jesus trusts is not a God of domination, but a God who keeps—like a mother who protects life, like a womb that shelters what is fragile. A God who makes space for the vulnerable. This is the church Jesus leaves behind: not a building, but people who love, individuals who know how to make room for others, how to carry one another’s burdens, how to love even when the journey is hard. And even dangerous. That is why we still have hope—because love is still experienced, every day, in crowded places, on difficult roads, among people who choose to work for peace based on justice.
Among people who choose to love.
*Art, "The Ascension, " JESUS MAFA 1973, Cameroon (available from the Vanderbilt Divinity Library digital art collection).
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