THE SONG OF MARY

Mary's Magnificat is probably one of the most powerful prophetic passages in the New Testament. This young woman's God scatters the proud in the thoughts of their hearts, brings down the powerful from their thrones and lifts up the lowly, fills the hungry with good things, and sends the rich away empty.

Melinda Grace Aoanan reminds us-- via her radical rendition of "Ili, ili" that is based on the Magnificat-- that the latter was a song. It was a lullaby Mary sang or chanted for Jesus.

This young woman from Nazareth followed a God who took sides, a God who took the preferential option for the poor, a God who brought down kings and kingdoms, a God who wept with those who weep and who cried with those who cry. And she taught her son well. Very well indeed.

Mary's faith persists to this day. Yet the proud, the powerful, and the rich who pretend to venerate her fail to see this faith among the lowly and the hungry as they struggle against life-negating and death-dealing forces-- among those whose lives are dedicated to helping bring about peace based on justice and the realization of God's reign on earth.

Moreover, the proud, the powerful, and the rich who pretend to venerate her tag so many of the faithful who are working for "life in all its fullness" as enemies of the state or as communists, as if communism were a crime in the country. It is not. Worse, they criminalize dissent and illegally arrest so many on trumped up charges like murder and illegal possession of firearms and explosives.

Jesus had many teachers. But before everyone else, there was young Mary of Nazareth: The Prophet who sang. His mother. And she taught her son well. Very well indeed.


+Melinda Grace Aoanan, "Singing Our Magnificat..." in Pinay Magnificat: Living Out Our Theology (Quezon City: NCCP, 2017), 23-31.

*image "The Visitation--Mary and Elizabeth meet." JESUS MAFA (Vanderbilt Divinity Library digital archives)